Recognized for her strong architectural portraits of Rural America, Stephanie’s subjects fall into diverse camps. First, the West she grew up around: an iconic landscape of barns, fields and criss-crossing power lines. Second, the West that grew up around Route 66: with a zeal for backroads, she captures and contextualizes the signs and sights from the bygone motor hotel era. “I consider my paint as a sculptor might her clay. Each brush stroke takes on a form of its own and, in the end, creates textures that explore and express an object or scene.” Stephanie is a signature member of the American Impressionist Society.